In the world of professional wrestling, where larger-than-life characters and dramatic narratives reign supreme, the art of storytelling is paramount. But what happens when the focus shifts too much towards the top stars, leaving the mid-carders struggling to find their place in the spotlight? This is a question that former WWE producer and wrestler, Brian James (aka Road Dogg), has pondered, and his insights offer a fascinating perspective on the current state of the wrestling promotion.
James, who recently departed from WWE, citing a desire to spend more time with his family, has a unique perspective on the company's roster utilization. He believes that the current approach of solely focusing on the top guys and their title stories is detrimental to the overall entertainment value of the show. In his words, "You can't just have a top guy and tell his title story, or girl and tell their title story – you've got to have some underneath stuff." This statement encapsulates a critical issue that many wrestling fans might not have considered.
What makes James' observation particularly intriguing is the comparison he draws between WWE and Ohio Valley Wrestling (OVW). OVW, under the guidance of Al Snow, is praised for its diverse and engaging roster, which includes comedy, serious wrestling, and a strong women's division. James admires Snow's ability to create a "variety show" that keeps the audience invested. He argues that WWE officials should take note of OVW's philosophy, which involves "switching it up" and offering a more well-rounded experience.
The former producer's critique is not just about the current state of WWE but also about the broader wrestling industry. He suggests that the constant emphasis on high-flying, high-risk matches with numerous flips and dives might be overdoing it. In his opinion, "If every match is a god darn barn-burner and has 40 dives and 60 flips, like, what are we doing here?" This raises a deeper question about the balance between spectacle and substance in professional wrestling.
From my perspective, James' departure from WWE highlights a larger trend in the industry. The pressure to constantly innovate and create new stars can sometimes overshadow the importance of building a strong mid-card. This is not just a problem for WWE but for any promotion that relies heavily on a top-heavy roster. The challenge lies in finding the right balance between showcasing the stars and providing a solid foundation for the next generation of talent.
What many people don't realize is that the mid-card is often the backbone of any wrestling promotion. These performers are the ones who provide the continuity and the building blocks for the main eventers. Without a strong mid-card, the entire structure can crumble. This is a lesson that WWE, and the wrestling world at large, might need to relearn.
In conclusion, Brian James' departure from WWE and his subsequent critique of the company's roster utilization offer a valuable perspective on the art of storytelling in professional wrestling. His comparison with OVW and emphasis on the importance of the mid-card serve as a reminder that balance is key. As the wrestling world continues to evolve, it is essential to recognize the value of every performer, from the top stars to the unsung heroes of the mid-card. Only then can we truly appreciate the magic of professional wrestling and ensure its longevity.
